Monk's Belt Magic!

Sampling can be a sensitive topic among weavers. Why, when it takes you so long to set up and weave a piece, would you subject yourself to dressing your loom "just for a sampler"? 
Believe it or not, as a newer weaver, those were my thoughts exactly. When I read or heard a teacher recommending sampling before beginning the actual project, I would secretly snicker to myself "yeh, right, as if that's ever going to happen, I just want to get to the REAL weaving!"

But if there is one thing that weaving has taught me over the years is patience! Oodles of patience. And, I've messed up enough times to know that, at least for some projects, sampling is a super good idea.

So, that brings us to my recent Monk's Belt sample. Monk's Belt is a very old weave structure and has been used in a variety of ways, according to time period and types of looms available. 

My sampler used 4 shafts and 6 treadles. The threading is quite simple, as you thread in blocks, which means there is plenty of repetition. My warp is 8/2 cotton, sett at 20 epi. The finished sampler measures 7 x 44". Tabby is used throughout.

Monk's belt designs are usually instantly recognisable, due to the bold, geometric shapes created by series of floats (these are where the block threading comes in). My aim in doing a relatively long sampler was to give myself plenty of time to experiment with treadling, but especially with yarns. I started out with yellow, mercerized cotton. I quickly found that this was not ideal, as it tends to sit quite straight as a float, rather than blooming and blending with itself. I also found that a single weft was not sufficient to make the pattern pop, so for each subsequent yarn type, the weft was doubled, to a much better effect.

The blue in the above photo is bamboo, which I found to be one of the most optimal yarns due to the thickness, sheen, softness and beautiful bloom.

The multicoloured weft above is hand dyed tencel, which gave a lovely effect, but like the mercerized cotton, doesn't quite stack up in the "bloom" department. 

Bamboo again, and you can really tell the difference, it's as though it was made for this! I had been following some standard treadling, but for this one I started branching into my own treadling, writing it down as I went.

I had been using single colours and decided to try 2 colours for the blue/green part above. I love the effect of 2 colours! Technically, I was using 3 colours if you include the purple (warp colour) I used for tabby.

Ah, silk! I combined orange and magenta 60/2 silk and my own treadling pattern for this one. Even though the silk is very fine, as a doubled weft it gave very good coverage. The blend of colours is also very eye catching.

For this one, I went back to my green bamboo for the pattern weft, but instead of using my purple 8/2 cotton for tabby as I had previously, I changed to my 2 strands of silk. This gives the effect of cute, luminous dots among the main pattern.

I have had some gold chenille sitting on my shelf for a while, and thought "aha!" Perfect time to try it, this will look brilliant. Except it doesn't! I had pictured something quite sophisticated looking, but instead got strange. furry caterpillars that look slightly "off" in colour.

Not that I mind, this is the beauty of sampling - now I know that I don't like chenille in a block weave!

The blue at the top is bamboo once again, but this time I swapped out the purple tabby for green bamboo. It gave an interesting effect but the green bamboo was a little too thick and kept my weft floats apart more than I would like. However, the texture is pretty cool and really changes the look of the weave.

The versatility of Monk's Belt is awesome. Because you are set up for plain weave (tabby) as well as the pattern, you can break them up and just use the pattern as a border if you wish. I think plain weave towels with a border such as the one above would be really striking.

More treadling and yarn experiments, there is just so much you can do!

The big test was how the fabric would feel after wet finishing. I suspected that it would be quite stiff and more suited to cushions, bags etc. But, happily, I was wrong. The fabric softened up wonderfully and has a lovely drape. It looks great on the back too. It struck me that a sampler like this, with a bit more length, would make an amazing scarf!

I hope you enjoyed this post. I have made a companion video just for my Weaving School members, where I go over this blog post in more detail. If you are a member already, you will find the video HERE.

If you wish to join up, I would love to have you! Monthly and Yearly memberships are available and include hundreds of hours of classes, access to a private Member's group on Facebook, giveaways, live videos and a wonderful community of weavers.

And, just before I finish up, I have a couple of book recommendations for you. These are affiliate links, meaning I get a small commission if you click through and purchase, but I do actually own and love these books.

The Handweaver's Pattern Directory by Anne Dixon.

Anne has a couple of pages on Monk's Belt, different threadings and treadling options, as well as excellent photos to show you how the weave looks.

A Handweaver's Pattern Book by Marguerite Davison

Marguerite has quite a few pages on Monk's belt with a lot of different drafts. The drafts in this book can be a little more difficult to read if you are not accustomed to reading older drafts.